Informative Speech The Dog Whisperer Essay - 1039 Words

Specific Purpose Statement: To inform my audience about Cesar Millan, also know as the Dog Whisperer Introduction I. Cesar Millan is the Dog Whisperer, the star of National Geographic Show with the same name. He rehabilitates dogs and trains people. It is all about energy. You communicate energy all the time. II. We have a lot to learn from Dogs. Dogs are pack oriented. His methods with the dog/human pack are easy when you understand the world from a dog’s point of view. Energy is how the human side works. III. Have you seen a dog jumping all over his owners or his guests when arriving back at the house after a short trip? Is that a dog that is glad to see them? Actually, not†¦show more content†¦Celebrities, Columnists and even City hall really enjoy this guy. 4. The dog psychology Center holds 30-50 dogs at a time.  ½ are regulars that are boarded there and the other  ½ are psychologically damaged dogs to be rehabilitated and find homes. B. Dog psychology, the dynamics from his book and episodes of â€Å"Dog Whisperer† 1. A dog’s nature is to follow or they will lead. Like his grandfather says you can’t work against Mother Nature. 2. Dogs will follow only calm assertive leadership energy or they will exhibit unwanted behavior. 3. Dogs want to be in a calm submissive state of mind and balance. 4. They need consistent exercise, discipline and affection in that order. No frame of mind like anxiety, nervousness or aggression is natural. 5. Dogs don’t hold grudges, don’t take correction personally, move toward balance readily and live in the moment. They never need to be harmed in any way to get them to adapt. II. Rosemary a story from the book Cesar’s Way A. Rosemary an abused pit bull mix, her owner raised her to fight. She lost an important fight. The owner having no more use for her owner poured gasoline and set her on fire †¦a rescue organization saved her 1. The organization presented her to Cesar as dangerous because she became aggressive and attacked people 3. Cesar offers to take her and rehabilitate her. Using his techniques he earns her trust in just 2 days. She became the sweetest dog and an ambassador for the dog psychology center. She

Inspirational Sales Quotes

Are you looking for inspirational quotes on selling? Sometimes you have to look past the numbers to find the philosophy behind making the sale. Is your sales staff motivated enough, or could they use a wake-up call?   Who better to inspire salespeople than those who have achieved  success in their fields? Whether its entertainment, sports, or life in general, the wisdom of others who have triumphed over adversity is always a source of inspiration. Here is a collection of quotes to help motivate you to think about sales in different ways. Remember, closing the deal is about more than just the bottom line or the end result. Sometimes its about the journey to get there. Quotes From Oprah Winfrey About Success Its worth putting Oprah in her own category because any woman who is known the world over only by her first name is definitely doing something right. The talk show host and award-winning actress became a media empire unto herself through sheer grit and determination. Her success came after overcoming a difficult childhood and struggling with her health and her weight under intense public scrutiny. And Oprah has had plenty to say about success. Here are some of her most memorable quotes.   Think like a queen. A queen is not afraid to fail. Failure is another stepping stone to greatness.Real integrity is doing the right thing, knowing that nobodys going to know whether you did it or not.The key to realizing a dream is to focus not on success but on significance. Then even the small steps and little victories along your path will take on greater meaning. Quotes From Others to Inspire Sales Closing the deal is intimidating, but it doesnt have to be overwhelming. Get your game face on and take inspiration from some of these quotes about winning attitudes. Remember, you only have to succeed the last time. -Brian Tracy, writer and inspirational speakerSeek out that particular mental attribute which makes you feel most deeply and vitally alive, along with which comes the inner voice which says, This is the real me, and when you have found that attitude, follow it. -William James, doctor and philosopherThere are two kinds of people: those who do the work and those who take the credit. Try to be in the first group. There is less competition there. -Indira Gandhi, the first female prime minister of IndiaSetting an example is not the main means of influencing others; it is the only means. -Albert Einstein, winner of the Nobel Prize in Physics who developed the theory of relativityShow class, have pride, and display character. If you do, winning takes care of itself. -Paul William Bear Bryant, record-setting college football coachShow me someone who has done something worthwhile, and Ill show you someone who has overcome adversity. -Lou Holtz , college football coach and broadcasterIt always seems impossible until its done. -Nelson Mandela, anti-apartheid activist who became president of South Africa

The Odyssey Of Homer, A Homeric Epic Essay - 1550 Words

The Odyssey of Homer, a Homeric epic translated by Richmond Latimore, has an abundance of women, all of whom fulfill various roles within the narrative. In The Odyssey, women are portrayed as obstacles, or, more specifically, temptations that men need to surmount in order to obtain what they truly desire. As a result, women are associated with negativity in the reader’s mind; however, it is this depiction as negative temptations that grants them power within the epic. Women, such as Penelope, Circe, and Kalypso, act as catalysts who drive the Homeric tale forward. Penelope, in The Odyssey, is depicted as a weak woman, one who is unable to take a stand against the suitors who â€Å"will not go back to [their] own estates, nor will [they] go elsewhere until she marries whichever Achaian man she fancies† (II. 127-128 pg. 42). Marrying Penelope entails receiving a dowry from her father and, of course, some of the wealth that Odysseus has amassed over the years. Antinoos, a suitor, declares that â€Å"she has been denying the desires of the Achaians. For she holds out hope to all, and makes promises to each man, sending [them] messages, but her mind has other intentions† (I. 90-92 pg. 41). The material treasures that are attached to Penelope are what the suitors desire, and what makes her desirable; and, so, Penelope is transformed into the obstacle that the suitors need to â€Å"conquer† in order to reach that ultimate goal of accruing wealth. It could be argued that the wealth that isShow MoreRelatedEssay on The Mysterious H omer, Author of The Odyssey and The Iliad663 Words   |  3 PagesThe Mysterious Homer, Author of The Odyssey and The Iliad   A sketchy figure by the name of Homer is given credit for the two great epic poems of ancient Greece. The Odyssey and The Iliad influenced Greek culture, education, and morality. Little is known about Homer and many scholars question whether he existed at all. (Encarta) Some say two different unknown authors wrote the two poems. (Britannica) Others say that many oral poets were responsible for the finished products. (Britannica) In thisRead MoreHomer: The Most Famous Greek Poet751 Words   |  4 Pages Whether Homer was real or not, a group of people, a boy or a girl; one thing we are sure of is that â€Å"Homer† wrote two of the best epic poems. The Iliad, which was based on the tenth year of the Trojan War and the Odyssey, which was about a guy named Odysseus who goes on many adventures as he tried to get home to his son and his wife. From what we know Homer was the most famous of all Greek poets because of his written works, his legendary history, and his influen tial work. â€Å"Hateful toRead MoreComparing The Iliad And The Odyssey905 Words   |  4 PagesThis short essay will identify five traditional epic characteristics that are evident in both the Iliad and the Odyssey. The first epic characteristic evident in both epics is catalogs and genealogies. For instance, Book VIII of the Odyssey features a list of participants in the game (115-125) and the Iliad Book II features a catalog of ships (484-759). Secondly, both epics start in media res. The Odyssey starts ten years after the Trojan War and the Illiad starts nine years after the start of theRead MoreHomer: Blind or Captive Essay513 Words   |  3 PagesHave you ever wondered who Homer is? Have you ever heard of Homer? Do you know what he wrote? Do you know when he lived? All of these questions will be answered in the following paragraphs. Homer is an interesting man, not much is known about him, and what is known about him is questioned by the â€Å"Homeric Question,† he composed The Iliad and The Odyssey, and that is what his life is based off of. Homer means blind or captive. He was said to be born in 800 BCE, but their is no exact date butRead MoreEssay on Gender in the Odyssey1002 Words   |  5 PagesOdysseus values and character traits serve as a paradigm of the ideal Homeric Greek man. The god-like Odysseus is crafty, valiant, wise, and eloquent. He gains much of his knowledge through travel, the meeting of different cultures and peoples and learns from suffering and mistakes. He is an aristocrat and a warrior of all warriors. We first learn of many of these traits in Homers Iliad. Agamemnon, the commander of the Greek army always calls on Odysseus for assignments that required someoneRead More A Comparison of Homeric Formalism in The Iliad and The Odyssey1339 Words   |  6 PagesHomeric Formalism in The Iliad and The Odyssey Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly... no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place. (from Odysseus Scar by Erich Auerbach)    In his immaculately detailed study comparing the narrative styles of Homer to those of the Bible, Erich Auerbach hits upon one of the most notable intriguesRead More Aeneid and Odyssey - A Comparison between Aeneas, Achilles and Odysseus1031 Words   |  5 PagesAeneid and Odyssey - A Comparison between Aeneas, Achilles and Odysseus      Ã‚  Ã‚  Ã‚   A comparison between Virgils hero, Aeneas, and the Homeric heroes, Achilles and Odysseus, brings up the question concerning the relevance of the difference between the Homeric heroes and Aeneas. The differences in the poets concerns are explained by the fact that Virgil lived many years after Homer, giving Virgil the advantage of a more developed literary and philosophical society than Homer had at his disposalRead MoreThe Iliad And The Odyssey1060 Words   |  5 PagesHomer once said, â€Å"Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another.† (The Iliad pg.405) The quote is relevant to the stories Homer created during the period of the Trojan War. Homer orally performed two of his best works The Iliad and The Odyssey. Homer’s stories are old and probably translated differently than their original telling. Homer’s The Iliad and The Odyssey still show the basic human emotions and are an insp iration to other authors, poetsRead MoreThe Homeric Odyssey By Christopher Mcquarrie And Directed By Bryan Singer831 Words   |  4 PagesThe Homeric Odyssey is a timeless work that shadows the adventures of Odysseus. The main story involves Odysseus’ journey to return home after the Trojan War. Specifically in scrolls 8-12 of the Homeric Odyssey, Homer skips around the journey occasionally to show the audience the construction of the hero of the epic, namely, Odysseus. The events in Homer’s epic are not in chronological order; however, the events are effective on guiding Odysseus as a storyteller. Scrolls 8-12 of the Homeric OdysseyRead MoreComparing The Odyssey And O Brother Where Art Thou1279 Words   |  6 PagesThe â€Å"Odyssey†, one of two major ancient Greek epic poems attributed to Homer, and â€Å"O Brother Where Art Thou†, a 2000 a film written, produced, and directed by Joel and Ethan Coen. At first thought you would not think the movie â₠¬Å"O Brother Where Art Thou† and â€Å"The Odyssey† have anything in common. It is however, the modern film depiction of the troubles of a man during the depression and is molded by the ancient struggles of Odysseus in Homer’s Odyssey. â€Å"The Odyssey† is about a Greek warrior and is

The rhetorical features of Margaret Thatchers Essay Example For Students

The rhetorical features of Margaret Thatchers Essay This speech gets its ideational message across, yet is emotive and interpersonal in that Thatcher is using lists and contrasts to convey her message. The style is upbeat with little pause as Thatcher uses a teleprompter to aid a more lucid performance affording greater, apparent, eye contact with the audience as most of her speeches are pre-planned and delivered using notes. Thatchers Conservative Party audience is friendly, needing little persuasion when criticising Labour and the unions, yet interpersonally they do need to persuade the electorate that they present a more reasonable position than their opponents. By using rhetorical techniques in this way they hope to project a positive rather than negative image. Not only is political rhetoric performed live, sometimes it is broadcast on the television giving a channel of mass-communication for the speaker. Television advertising also uses three-part lists to sell products or services. Take the Heize advertisement up until the mid 1990s with Beanz Meanz Heinz slogan, or a Mars a day helps you work, rest and play both very successful long running advertising campaigns, and both using three-part lists. Evangelical preachers also can use three-part list in their delivery while stepping outside their melodic sermon, into narrative dialogue. Televangelists use the mode of television to deliver persuasive speeches using three part lists as in the passage performed by Roberts and Beenman (Thompson: Maybin Mercer P157), explaining Gods direction when fulfilling human emotional needs, material needs, physical needs. Thompson also explains that the speaker artificially detached themselves from the main flow of the sermon gives them time to deliver the message as forcefully as possible. Stepping outside the story to explain events is common in many types of narrative to add another dimension to the tale. The estate agent story (Maybin Mercer P22) shows a man bragging about a recent deal to a friend. The estate agents seller is an elderly sick woman who is in a nursing home and needs to sell her house. The buyers wife has talked with the estate agent and he is relating the story of what happened to a friend. He is telling the whole story digressing from the narrative to add his comments which are in brackets: Yes we have to lay down new floors, the rugs are no good (the rugs happen to be in good shape) we have to This is a type of aside to the audience that would be used in the theatre to keep the story on track, and informing the people reading or viewing the work about the characters thoughts, (Wikipedia definition). Thatcher steps outside her storyline with the comment: For years council after council has been hijacked by socialist extremists. This gives us further information as to the Conservatives interpersonal view of the Labour party, but does not add any ideational information to the story of Community Charge that Thatcher is talking about. Like the estate agent story, Thatcher has had time to choose her moment and audience, which is not always the case in everyday conversation. The Conservative Party audience is polite and cooperative. Thatcher does not have to try out the speech on the audience or justify her statements as she is preaching to the converted; however she does bring the additional emotive information of the continuing, extreme, socialist councils by stepping outside the main storyline as everyday narrators can do. Journalism uses rhetorical techniques. The register is different from television evangelism but the aim is the same to get the ideational message across while using interpersonal rhetorical techniques to persuade. .u2ad460c50bc152047333c1de7bb86387 , .u2ad460c50bc152047333c1de7bb86387 .postImageUrl , .u2ad460c50bc152047333c1de7bb86387 .centered-text-area { min-height: 80px; position: relative; } .u2ad460c50bc152047333c1de7bb86387 , .u2ad460c50bc152047333c1de7bb86387:hover , .u2ad460c50bc152047333c1de7bb86387:visited , .u2ad460c50bc152047333c1de7bb86387:active { border:0!important; } .u2ad460c50bc152047333c1de7bb86387 .clearfix:after { content: ""; display: table; clear: both; } .u2ad460c50bc152047333c1de7bb86387 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2ad460c50bc152047333c1de7bb86387:active , .u2ad460c50bc152047333c1de7bb86387:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2ad460c50bc152047333c1de7bb86387 .centered-text-area { width: 100%; position: relative ; } .u2ad460c50bc152047333c1de7bb86387 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2ad460c50bc152047333c1de7bb86387 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2ad460c50bc152047333c1de7bb86387 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2ad460c50bc152047333c1de7bb86387:hover .ctaButton { background-color: #34495E!important; } .u2ad460c50bc152047333c1de7bb86387 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2ad460c50bc152047333c1de7bb86387 .u2ad460c50bc152047333c1de7bb86387-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2ad460c50bc152047333c1de7bb86387:after { content: ""; display: block; clear: both; } READ: Poetry VS Rhetoric EssayNick Robinson the BBCs political correspondent, talks on the subject of news reporting. Weve got to start with the who, the what, the how before we get into the why theyre telling us this and whats going to happen next. (Nick Robinson Interview: The Guardian Sept 5th 2005). Robinson uses a three part list to give impetus to what he is saying, explaining that it is important to establish from the outset the nature of the conversation. Rhetorical techniques used for reporting are different to a news presenter such as BBCs Hugh Edwards. Edwards delivery is largely impartial and ideational while Robinsons is interpersonal and inquiring: putting the two together helps give structure and textual meaning to the political coverage in the programme. We can liken this coverage to the narrative technique of stepping outside the storyline, a kind of Alta-ego, where a central figure (Edwards) hands over to an outside correspondent (Robinson) who generates rhetorical questions in such forms of three part lists and contrasts, suggesting different courses that events could take. Educationalist C Kuyendall at a New Orleans convention uses call and response in her address. This technique relies on prosody and intonation to help build images as well as set-up questions that spurs reaction from the audience, for example Kuyendalls states: with a little more | in-spir-ra-| tion followed by was I right about that one? (Alright) (laughter) (U210 Cassette 3 Band 9 Rhetoric and persuasion). She starts by contrasting in a three-part list: I dont care large or small, I dont care how young or old, I dont care what race or colour, my audience is required to follow the rules of my culture. Kuyendall is addressing one meeting consisting, of two groups; her conservative friends and her loose friends. Kuyendall stands outside the two groups taking a holistic view: By telling one group to nod in agreement to what she is saying and the other group to signal affirmation by saying right on, amen or whoop, she brings the two groups together cementing the two parties with a common religious bond. By recognising differences between the two parties in the hall, Kuyendall has openly contrasted the two sides and taken a conciliatory stance. Response and call of Pentecostal religious rhetoric can be seen in other facets of Western society: The pantomime or punch and judy. Oh no he didnt; we are conditioned and have learnt that the response to this call is oh yes he did. At a rock concert Are you alright! (yes). Ironically the opposite of call and response is the rhetorical question used in both oratory and everyday narrative that is not expected to be answered. We can see Hallidays view that Language is a social and cultural construct clearly here. Our experiences and cultural background tell us when to respond appropriately to the given call. Transposing this into the arena of political rhetorical would be the preferred response of, polite, measured applause. There is little verbal interaction in rhetoric but that is not to say it is not dialogic. By comparing rhetoric with language outside planned public speeches, we can see people use elements of rhetoric in everyday talk, but there needs to a given framework or shared knowledge and experience between speakers (Maybin Mercer P11) in order for these techniques to work. Propp and Labov suggest that a storyline can elucidate a common theme and interpersonal function, contained in such as hero and villain which transcend boarders. In order to remember a speech or story we have to give it a situation using a recognizable storyline framework that with an opening, middle and strong ending that signals a change in interlocutor. Finally, if we accept Atkinsons suggestion that answers in rhetoric conversation are a reaction from the audience to show a measure of acceptance or rejection, then we can conclude that rhetoric and everyday talk can dove-tail regardless of how illogical some facets of everyday utterance can be. .ucc2cd40c12d6ef77dac1d52ccb7588e3 , .ucc2cd40c12d6ef77dac1d52ccb7588e3 .postImageUrl , .ucc2cd40c12d6ef77dac1d52ccb7588e3 .centered-text-area { min-height: 80px; position: relative; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 , .ucc2cd40c12d6ef77dac1d52ccb7588e3:hover , .ucc2cd40c12d6ef77dac1d52ccb7588e3:visited , .ucc2cd40c12d6ef77dac1d52ccb7588e3:active { border:0!important; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .clearfix:after { content: ""; display: table; clear: both; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ucc2cd40c12d6ef77dac1d52ccb7588e3:active , .ucc2cd40c12d6ef77dac1d52ccb7588e3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .centered-text-area { width: 100%; position: relative ; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ucc2cd40c12d6ef77dac1d52ccb7588e3:hover .ctaButton { background-color: #34495E!important; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ucc2cd40c12d6ef77dac1d52ccb7588e3 .ucc2cd40c12d6ef77dac1d52ccb7588e3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ucc2cd40c12d6ef77dac1d52ccb7588e3:after { content: ""; display: block; clear: both; } READ: Poetry Argumentative EssayReferences: Maybin et. al : 1996 Using English from Conversation to Cannon. Routledge in association with the OU. U210 Study Guide 3. U210 VC1 Band 3 Open University Audio Cassette 3, Graddol et. al : Describing Language 1994. OU Press. Crystal: The Cambridge Encyclopedia of the English Language Second Edition 2003 Cambridge University Press. Sykes: 1982 Concise Oxford English Dictionary 7th Ed. Oxford University Press.